Can there really be anything more to say about Bob Dylan and his music? As it turns out, the answer is a qualified yes. Just don’t hold your breath awaiting major revelations.
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Music Review: ‘Then and Now: Chamber Music of Richard Festinger’
A lot of contemporary music comes my way, and rarely do I hear a collection as appealing as this one, full of interesting ideas and curiously beautiful sounds.
Read More »Concert Review: Boulder Chamber Orchestra at Carnegie Hall with Pianist Adam Żukiewicz
A "virtuosic display of youthful joy" is how the pianist described the finale, but he also displayed a mature mastery of dynamics and flow, abetted by an orchestra that bloomed to match him.
Read More »Music & Video Reviews: Badfinger’s Lost LP, plus Live Albums from Al Stewart, Translator, and Oregon
This new edition of Badfinger's 'Head First' employs the recently discovered master tapes, which have been newly mixed and mastered by Bob Jackson, the band’s only surviving member.
Read More »Concert Review: ‘Taking Flight’ with Orpheus Chamber Orchestra and Anne Akiko Meyers
As the solo violin laments the destruction of homes and neighborhoods, the orchestra contextualizes that lone voice into a chorus of community. Terrible circumstances can indeed inspire work of aesthetic beauty.
Read More »Music Review: Adam Mirza – ‘Partial Knowledge’
The language comes not from notes and rhythms but the physical parameters of how an instrument is played.
Read More »Album Reviews: Eric Andersen’s ‘Dance of Love and Death,’ plus Cat Stevens and Wanda Jackson
Andersen has been serving up poignant, powerful music for six decades now. 'Dance of Love and Death' leaves no doubt that he can still deliver.
Read More »Exclusive Interview: Violinist Anne Akiko Meyers
The virtuoso talks about her recent and upcoming albums and her premiere of Eric Whitacre's 'The Pacific Has No Memory' honoring victims of the California wildfires.
Read More »Music Review: Adrian Raso & Fanfare Ciocarlia – ‘The Devil Rides Again’
As one would expect from a brass band, they can blow the roof off a building, but they can also give subtle and nuanced performances that pull out surprising emotional content from any tune they perform.
Read More »Concert Review: American Classical Orchestra – ‘Magnificently Mozart’
A period-instrument concert revealed Mozart and Beethoven as they were heard in their own time, including a concerto played on the fortepiano.
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