There are no simple answers, and perhaps the worst part of the whole long episode is that, as de Kock tells Pumla at the end, "We killed a lot of people, they killed some of ours, and we fought for nothing…We fought each other basically, eventually, for nothing at all."

'We had this big desire to attract a wider audience, and make young people interested in the instrument and great music in general.'

Voices simulate the ringing of bells and the knocking-on of doors as effectively as they convey the desperation of foiled lovers, the comic scheming of the servant class, and the self-satisfied prancing of the smug.

A towering performance by the former 'Glee' star is a revelation.

Gary McFarland, the jazz musician, composer and arranger who 'should have been a pop star,' left behind and eclectic discography and a wealth of superb material that deserves just such a tribute as this.

Chunky grooves, spidery guitar, and homespun philosophy fuel the aptly named 'Hillbilly Zen-Punk Blues,' the latest and best-yet release from Reverend Freakchild.

Excellent new mixes, though not much concert video, in a new 2CD/2DVD edition of the classic prog-rock album from 1975.

Simon Callow's extravagant, finely polished, emotionally and comically transcendent performance is in New York until June 7.

A new shadow-puppet show about history's female pirates is a great reason to spend some time aboard the Waterfront Museum, one of the most unusual sites in all the wilds of New York City.

Opening-night jitters didn't bring down the excellent debut of a new Off-Broadway theater company dedicated to bringing theater classics to new audiences.