'Girl, Interrupted' by Matyna Majok with music by Aimee Mann is based on the Susanna Kaysen memoir. Its themes echo with haunting poignance.
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Theater Review (NYC): ‘I Wanttt a Unicorn Frappe!!!’ by Catherine Weingarten
The fantasy fable follows the preparations for a wedding between over-the-moon Jenny and Sebastian, a shiftless, barely-interested charmer who seems to have proposed as a lark.
Read More »Theater Review (NYC): Xhloe and Natasha in ‘And Then the Rodeo Burned Down’
Xhloe and Natasha's shows almost represent a genre all their own. There's comedy and clowning, eros and acrobatics. There's zany dialogue that touches on deep human subjects. The pair are masters of both physical comedy and conceptual juggling.
Read More »Theatre Review (Singapore): All You Can Eat by Wild Rice’s Young & Wild, and the Rice Cooker Programme
Made up of 10-minute plays, the more than 2-hour show started off very strong with Wild Rice's resident playwright Alfian Saat's Appetiser which was insightful and cheeky at the same time.
Read More »Theatre Review (Singapore): ‘The Christians’ by Lucas Hnath, from Wild Rice
A couple in the audience actually closed their eyes and lifted their hands in prayer. The line between make-believe and reality had blurred, if only for a moment.
Read More »San Pedro Playhouse and Classic Theatre’s 2026/27 San Antonio Season
A nine-production lineup in three venues adds up to nearly a full year of live theater in the heart of San Antonio.
Read More »Theater Review (NYC): ‘Julius Caesar’ from Smith Street Stage
With Bryce Foley sparking a solid cast as a dangerous Marc Antony, Smith Street Stage's production makes great use of its outdoor space and excels at rendering Shakespearean language understandable and the story hit home.
Read More »Theater Review (NYC): ‘Body Unredacted’ from Blessed Unrest
The talented cast of six gives (and shows) their all in this dreamlike collage of narrative. It shows a lot of heart – and a lot of skin. But its organs are in disarray.
Read More »Theater Review: ‘The Balusters’ by David Lindsay-Abaire
This comedy of social commentary delivered laughs for an audience hungry for them, thanks to a pointed story and script, a dazzling single-set production, and a crackerjack cast.
Read More »Theater Review: ‘The Village Cidiot’ by Lauren Letellier
If you're an over-stressed urbanite fantasizing about a move to the country, this wise and funny monologue might make you think seriously about staying put.
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