Wordy and deep, Jez Butterworth's Olivier-Award-winning play leaps brightly into the sunshine carrying the bloody torch of Irish drama.

Livingston doesn't just champion this early 20th-century music, he brings it to vivid life, even as he entertains and educates on the classic Dada films.

The Zemlinsky Quartet's onstage bonhomie, vivid engagement with the audience, and tremendous skill made the concert a joy.

This fine new production uses an admirable new translation from the French that stays close to the original, giving us Wilde indeed, flaws and all.

Hot Rize's live 40th anniversary album is a blistering set of 18 prime bluegrass tunes. Many written by band members, they showcase the group's undimmed musicianship and enthusiasm.

Director Anne Bogart and SITI Company charge up Aaron Poochigian's balanced new translation in a graceful 90-minute production of Euripides' 'The Bacchae,' alive with ecstatic bacchanalia and gruesome violence.

Being Deaf today brings with it controversies over vocalizing, lip reading, and ASL. All of that helps define just one character in Craig Lucas's kaleidoscope of a drama, now in its New York premiere at Playwrights Horizons.

Edie Falco is an unstoppable force as a political operator in this vivid dissection of nitty-gritty party politics.

The Gallery Players' sterling new production reminds us that 'A Chorus Line' is not only loaded with some of the greatest show music ever, but one of the best pieces of meta-theater ever devised.

Intermittently funny and unevenly powerful, Mark Chrisler's play 'Worse Than Tigers' is amusingly absurdist and patently symbolist yet on another level grittily real.