Culture Interviews

'We have a story for the first part because we want to show Montmartre in Paris. We want to show the jazz clubs like we find today in New York. In France in the 1950s there were jazz clubs in Paris. It’s not the same now.'

In concert, and as I found out in person as you can see in the video interview below from the Friars Club in New York, Patrizio's charm, unforgettable persona, and anointed voice allow him to revel in interpreting pop songs and Italian and international standards, leading to millions of album sales globally.

This live investigation could deliver some of the best evidence of the paranormal imaginable, because there can be no doubt that the entity will show up. When either researcher is involved, Zozo always makes an appearance.

'Edith Piaf is unique, singular. If you try to imitate or mimic Piaf? It’s not possible. But if Anne tries to fulfill Edith Piaf with her soul, she can reach people because she is herself.'

The four artists discuss the show and the tour - and compare food and wine notes from France and the U.S.

"We are at the stage that we are ready for Broadway. We have promotional videos and I am thinking that we might be on stage on Broadway for five or six months."

The director talks about Albee's enduring legacy as well as the rewards of staging one of the playwright's less frequently seen works.

'Age is something that we avoid talking about in our Western society. We either ridicule it or try to ignore it, or we box people in by calling them senior citizens. So I say let's bring it out into the open and shine a light on this aging process.'

There is only one Edith Piaf.

'Our team rosters will be split 50% Chinese and 50% foreign. That is by design. We wanted and needed a balance of talented and experienced foreign professionals to help foster the development of our Chinese players. Sports has no color or cultural barriers.'