The Bye Bye Man evokes many classic horror concepts, but twists them in a terrifying new direction.
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Blu-ray Reviews: ‘Phantasm: Remastered’ Gets a 4K Restoration While ‘Phantasm: Ravager’ Ends the Series at a Low
'Phantasm' fans will be more than pleased with the original receiving a full 4K remaster.
Read More »Movie Review: Writer-Director Bryan Bertino Unleashes ‘The Monster’ with Surprisingly Emotional Results
'The Monster' may not be an instant classic, but it gets the job done.
Read More »DVD Review: ‘She Who Must Burn’
A rural healthcare provider draws the ire of a trio of religious fanatics in Larry Kent's strange new horror flick.
Read More »EXCLUSIVE INTERVIEW: Tim Wood, Darren Evans on Upcoming Live Stream of Zozo Paranormal Investigation
This live investigation could deliver some of the best evidence of the paranormal imaginable, because there can be no doubt that the entity will show up. When either researcher is involved, Zozo always makes an appearance.
Read More »Blu-ray Review: ‘The Wailing’ – Director Na Hong-jin Puts Us Through the Wringer
Make sure you have enough time on your hands and sit back and enjoy the ride of "The Wailing."
Read More »Blu-ray Review: ‘The Neon Demon’ – Nicolas Winding Refn Takes on the Horror of High Fashion
With "The Neon Demon", Nicholas Refn still can't manage to top 'Drive,' but it's not for lack of trying.
Read More »Blu-ray Review: Jacques Tourneur’s classic ‘Cat People’ Gets a 2K Makeover
Tourneur's classic "Cat People" gets the Criterion treatment with stunning results.
Read More »Movie Review: ‘Don’t Breathe’
Bones will break, blood will flow, and "Don’t Breathe" pulls none of its punches.
Read More »The Arty Horrors of ‘The Witch’
Robert Eggers’ “New England folktale” The Witch is the most highly regarded horror film in years. It is so highly regarded that some critics who dismiss horror as mere shock and exploitation place The Witch outside the genre due to its thought-provoking artfulness. Ironically, on the opposite end of the spectrum, some horror fanatics, red of tooth and claw, also dispute the film’s horror bona fides, seeing its slow-burn moody virtues as pretentious and dull.
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