Classic Rock

This new mix of a classic Chicago album provides clearer sound and brings out subtle nuances.

These are in no particular order, except for this first one, my vote for song of 2016, at least for guitar. After listening to Joe Bonamassa's blistering, searing solo, you will not forget it anytime soon.

Sadly, through the cruelty of time and mortality, The Band itself ceased to be many years ago but Robbie Robertson himself is still telling stories and spinning guitar chords through his music.

As for the music of 2016, there was the usual amount of "meh" mixed in with a host of impressive releases. Certainly, there were no game-changers that I heard. (Sorry Kanye and Kendrick.)

Much of Jethro Tull's second album still stands up, so to speak. The bright nasality of the hyperactive mandolin on "Fat Man," the blues-rock/progressive fusion of "Nothing is Easy," and the dark psychedelia of "We Used to Know" are all of their time, yet in the new mixes they leap urgently from the speakers. A 1969 Stockholm concert and a booklet packed with reminiscences and commentary help make this new edition something Tull fans will value.

This was a perfect match of group, orchestra, and venue, a magic night superbly captured.

Over the past five years, these guys – Chris Robinson and Neal Casal – have managed to build a sound and a feeling in their music that I wasn’t even aware I’d been craving...

Here are my highlights in popular music from 2016. It includes records by Sophie Ellis-Bextor, Bright Light Bright Light, David Bowie, Melanie C, Hikaru Utada, Beyoncé, and many more!

Does Joel Selvin's 'Altamont: The Rolling Stones, The Hell's Angels and the Inside Story of Rock's Darkest Day', maintain a proper perspective on the events that have made the concert notorious?

NRBQ are every bit as adventurous as they were as a young bunch of guys playing around at the Adams home some 51 years ago, even though Terry Adams stands alone as the only band member spanning the timeline from then to now. How he’s been able to hang on to the energy and charming irreverence that permeates this box of collected performances (both studio and live in concert) is a testament to his continued enthusiasm and love of music.