This continuing Rock HOF induction video series comes highly recommended set (3.5 stars out of four), as many musicians perform some rare and very memorable works. Enjoy 44 live performances from four induction ceremonies (2010-2013).
Read More »Early Music
Concert Review: Four Nations Ensemble and Sherezade Panthaki – ‘Fête Galante’ (NYC, 17 May 2018)
The music of the Fête Galante-era composers like Jean-Marie Leclair counteracted the grand style of their predecessors, just as Watteau's paintings of regular people enjoying simple pleasures in the outdoors contrasted with the heavy subject matter of the art he'd grown up with.
Read More »Concert Review: Tenet – ‘Music of the Trouvères’ (NYC, 11 May 2018)
The contemporary folk music scene and the Early Music scene intersect more than you might think. The Early Music ensemble Tenet proved it decisively with this program, demonstrating such sublime musicianship that I hope they preserve it for future concerts and in a recording studio.
Read More »Concert Review: Fretwork – ‘J.S. Bach – The Art of Fugue’ (NYC, 12 April 2018)
Bach's contrapuntal masterpiece took flight in the hands of one of the world's premiere viol consorts.
Read More »Music Review: Jordi Savall and Hespèrion XXI: ‘Musica Nova: Harmonie Des Nations 1500-1700’
The celebrated musician-scholar and eminence grise of the viol offers representative pieces of what can be broadly termed the "Musica Nova" movement of the 16th and 17th centuries in Italy, France, England, Germany, Spain, and Portugal. But you don't need experience with or knowledge of early music to appreciate the beauty, and the consummate expertise, of these performances.
Read More »Theater Review (NYC): ‘The Dream of the Rood’
Western Europe's earliest known dream-vision poem, newly translated from the Anglo-Saxon and adapted for the stage.
Read More »Concert Review: New York Polyphony – ‘Tallis Lamentations’ (NYC, 24 Feb 2018)
The a capella singers presented a succinct, enlightening survey of Thomas Tallis's groundbreaking 16th-century music. The concert also offered a reminder of why the composer's best-known works, such as the 'Lamentations,' remain popular after more than four centuries.
Read More »Theater Review (NYC Broadway): ‘Farinelli and the King’ with Mark Rylance
Well played all around, this Shakespeare's Globe production is blessed with the preternaturally naturalistic Rylance, whose severely manic-depressive and sometimes delusional King Philippe V of Spain is both brilliantly imagined and pulsatingly real.
Read More »Concert Review: Sonnambula – ‘Élisabeth Jacquet de la Guerre, Musician in Paris’ (NYC, 14 Sept 2017)
The early music ensemble Sonnambula opened its 'Women's Voices' season with music by an innovative 17th-century French woman composer.
Read More »Concert Review: Profeti della Quinta Sing Monteverdi and Salomone Rossi (NYC, 23 Feb 2017)
This exquisite vocal group puts on energetic, high-spirited concerts that free the ancient music of the Renaissance from the museum and dance it out into the town square.
Read More »
Blogcritics The critical lens on today's culture & entertainment