Pop

'Living for the Weekend' by Madison McWilliams supplies excellent, edgy pop music, resounding with sonic dynamism.

'You’ll Believe' (Pop Version) by Kaz Bielinksi radiates yummy pop ambience full of vibrant colors and infectious dynamism.

The music integrates jazz idioms with South American dance and psychedelic synth-pop, forming a mixture that is both traditional and unique-sounding.

With 'Mother Electric,' Luca Chesney stages impressive artful sequences of marvelously emergent electro-pop.

Tinged with both retro and contemporary colors, 'Qualifiers' by Mark Rogers is tantalizingly nostalgic, yet at once embryonic.

The highlight of 'Tales from a Room' is the rich, delicate voice of Miriam Waks, with a striking exotic roundness, making it uniquely pleasing to listen to.

Bursting with grunge-pop energy, 'The Shit I Left in Duluth' is outstanding, pulsing with vivacious colors, an infectious rhythm, and Mary Bue’s satisfying voice.

Gin, Chocolate & Bottle Rockets' debut full-length album features beautifully arranged three-part harmonies and well-conceived, grown-up songs that stick in your mind.

'Attractive Nuisance' is wonderfully superb, quite unlike anything extant.

Sister Speak’s forthcoming EP, 'The Stand,' is marvelous, magnificent, and matchless.