It's a thing of beauty when a heartrending script meets the perfect actor. That's just what happens in this memoir of mental illness.
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Theater Review (NYC): ‘Sukkot’ by Matthew Leavitt
This play about a half-Jewish, half-Irish Catholic family is a masterful relay race of pointed, witty dialogue that's equal parts hilarious and touching.
Read More »Theater Review (NYC): ‘Everything Is Here’ by Peggy Stafford – A Funny, Touching Look at Senior Living in the USA
A one-act that scrutinizes life in a senior-living facility in a warm-hearted, semi-surreal way. Smoothly and artfully staged and acted, it's as funny as it is touching.
Read More »Theater Review (NYC): ‘Polishing Shakespeare’ by Brian Dykstra
A battle of wits, means, and consciences, scripted in iambic pentameter, adds up to a zippy, funny, and ultimately dark comedy that requires close attention – and repays it handsomely.
Read More »Theater Review (NYC): ‘Thistles,’ a Prickly Family Dilemma by Cyndy A. Marion
This pandemic-era family drama sustains a tricky balance of tragedy and comedy most of the way thanks to a star turn by Mel House.
Read More »Theater Review (NYC): ‘Redeemed’ by Chisa Hutchinson
Hoping for redemption through forgiveness, a white convict tries to convince his victim's sister he's no longer the man who beat her brother to death in a racist rage.
Read More »Theater Review (NYC Off-Broadway): ‘Trick or Treat’ by Jack Neary
The specter of his wife's advancing Alzheimer's disease throw Johnny (Gordon Clapp) and his family into a dizzying whirlpool of anxiety as family secrets threaten to bubble to the surface.
Read More »Theater Review (NYC Off-Broadway): Richard Masur in ‘The Net Will Appear’ by Erin Mallon
Richard Masur stars as an old man bowed with tragedy who strikes up a friendship with the troubled little girl next door. In the process both reveal the raw tenderness of their respective lives.
Read More »Theater Review (NYC Off-Broadway): ‘The Hello Girls,’ a New WWI Musical by Peter Mills and Cara Reichel
A smart, crisply written book by Peter Mills and Cara Reichel links a sequence of superb musical numbers, recounting in the best musical-theater tradition the little-known story of the U.S. Army's WWI female telephone switchboard operators.
Read More »Theater Review (NYC): ‘Agnes’ by Catya McMullen (AMC’s ‘Dietland’)
Through his stilted, abrupt, truth-blurting observations, it's the character with Asperger's who reveals the deepest truths about human relationships in this tour-de-force play by 'Dietland' writer Catya McMullen.
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