A one-act that scrutinizes life in a senior-living facility in a warm-hearted, semi-surreal way. Smoothly and artfully staged and acted, it's as funny as it is touching.
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Theater Review (NYC): ‘Polishing Shakespeare’ by Brian Dykstra
A battle of wits, means, and consciences, scripted in iambic pentameter, adds up to a zippy, funny, and ultimately dark comedy that requires close attention – and repays it handsomely.
Read More »Theater Review (NYC): ‘Thistles,’ a Prickly Family Dilemma by Cyndy A. Marion
This pandemic-era family drama sustains a tricky balance of tragedy and comedy most of the way thanks to a star turn by Mel House.
Read More »Theater Review (NYC): ‘Redeemed’ by Chisa Hutchinson
Hoping for redemption through forgiveness, a white convict tries to convince his victim's sister he's no longer the man who beat her brother to death in a racist rage.
Read More »Theater Review (NYC Off-Broadway): ‘Trick or Treat’ by Jack Neary
The specter of his wife's advancing Alzheimer's disease throw Johnny (Gordon Clapp) and his family into a dizzying whirlpool of anxiety as family secrets threaten to bubble to the surface.
Read More »Theater Review (NYC Off-Broadway): Richard Masur in ‘The Net Will Appear’ by Erin Mallon
Richard Masur stars as an old man bowed with tragedy who strikes up a friendship with the troubled little girl next door. In the process both reveal the raw tenderness of their respective lives.
Read More »Theater Review (NYC Off-Broadway): ‘The Hello Girls,’ a New WWI Musical by Peter Mills and Cara Reichel
A smart, crisply written book by Peter Mills and Cara Reichel links a sequence of superb musical numbers, recounting in the best musical-theater tradition the little-known story of the U.S. Army's WWI female telephone switchboard operators.
Read More »Theater Review (NYC): ‘Agnes’ by Catya McMullen (AMC’s ‘Dietland’)
Through his stilted, abrupt, truth-blurting observations, it's the character with Asperger's who reveals the deepest truths about human relationships in this tour-de-force play by 'Dietland' writer Catya McMullen.
Read More »Theater Review (NYC Off-Broadway): ‘A Brief History of Women’ by Alan Ayckbourn
Nearly six decades into his career, Ayckbourn maintains his sure touch on both the page and the stage, while his depictions of the long view of life continue to deepen. Brilliantly written and beautiful acted, his new time-shifting masterpiece engages both heart and mind.
Read More »Theater Review (NYC Off-Broadway): ‘The Edge of Our Bodies’ by Adam Rapp
A confusing play about teenage angst, with a twist that seemed to perplex many in the audience.
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