Russian refugee kids and their American counterparts bring a powerful message we need to hear.
Read More »Tag Archives: La Mama
Theater Review (NYC): ‘Suppose Beautiful Madeline Harvey’ – a New Work by Richard Foreman and Object Collection
With all its high-tech spectacle and stagecraft, Richard Foreman's first new work in a decade revels in the retro
Read More »Theater Review (NYC): ‘Agamemnon: The Circle of Blood’—War Stories Old and New
Rafika Chawishe's collage of theater, film, and performance art commingles ancient Greek history with the present day and reminds us how humanity never seems to learn from its past.
Read More »Theater Review: ‘Helen.’ by Caitlin George – Getting Inside Helen of Troy
In this compelling new comedy Helen of Troy is not a victim, a pawn, or a plot device, but an icon of feminist fortitude.
Read More »Cabaret/Theater Review: Sven Ratzke, ‘Where Are We Now’ – Songs of David Bowie
Cabaret superstar Sven Ratzke and brilliant pianist Christian Pabst's 'Where Are We Now' is an ardent tribute to David Bowie and a vivid efflorescence of two towering artistic personalities.
Read More »Theater Review (NYC): ’55 Shades of Gay: Balkan Spring of Sexual Revolution’ – a Kosovo Burlesque
Harking back to the 20th-century theatrical avant-garde, the LGBTI-themed political burlesque '55 Shades of Gay' from Kosovo reminds us of the endurance of homophobia.
Read More »Theater Review (NYC): ‘Burning Doors’ with Maria Alyokhina of Pussy Riot, Belarus Free Theatre
Can villainy endure against the courage to seek freedom of the soul? Or will truth and its power overcome unjust, corrupt evil? Artist-activists from Belarus challenge the tyranny in Vladimir Putin's Russia with this superb production.
Read More »Theater Review (NYC): Victor Attar in ‘Golgotha’ – a Holocaust Remembrance Monodrama by Shmuel Refael
The memories of his forced service at Auschwitz haunt a Sephardic Jew for the rest of his life in this searing, frighteningly timely one-man play.
Read More »Theater Review (NYC): Sholem Asch’s ‘God of Vengeance’ from New Yiddish Rep
Just around the corner from where it first played, Sholem Asch's 'God of Vengeance,' challenging and controversial in so many ways since its debut in 1907, has opened at La Mama in its original Yiddish (with English supertitles). Upon its Broadway run in English in 1923, the play's cast and producers were arrested on obscenity charges. With its frank depiction of lesbianism and prostitution, it's no wonder.
Read More »Theater Review (NYC): ‘Man in Snow’ Written and Directed by Israel Horovitz
This play, this production, is a masterwork that will resonate with you long afterward.
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