The show’s producer/performer talks about this year’s Fringe World Premiere musical comedy.
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Theater Review (San Antonio): Dual Language ‘Aladdin’ at the Roxie Theatre
The dual-language version of the Disney musical is ideal viewing for kids of all ages.
Read More »Theater Review (San Antonio): ‘Urinetown: the Musical’ by Mark Hollmann and Greg Kotis
The Playhouse San Antonio presents a wonderfully entertaining production of the Tony-winning musical comedy.
Read More »Voices from Hollywood Fringe 2017: Exclusive Interview with ‘Zombie Clown Trump’ Creator
'We’re basically conducting our comic sermon for others who, like us, are truly frightened of what’s going on not only in our country, but across the world. We want to provide a safe and enjoyable space for people to come together right now and relieve some tension, aided by the magic of music and laughter.'
Read More »Theater Review (NYC): ‘Ragtime’ from the Gallery Players
As a 'Ragtime' newbie, I wondered how E.L. Doctorow's three connected stories of early-20th-century America fit together in a musical theater context. The answer, on the evidence of this fine new production, is: brilliantly.
Read More »Theatre Review (Singapore): ‘Tropicana’ by Haresh Sharma and Spare Room Productions
This new musical isn't perfect and its script and music could use some serious tweaking, but the set and costumes reflect the time period immaculately, the direction is creative, the singing is not bad and there are certainly moments of humour. Anyway, who said the '60s were perfect, after all?
Read More »Theater Review (San Antonio): ‘Sister Act’ Sparkles at the Woodlawn Theatre
The Tony-nominated musical comes to the Deco District's Woodlawn Theatre in a sparkling, superbly-acted production.
Read More »Theater Review (San Antonio): A Striking ‘The Secret Garden’ at the Playhouse San Antonio
Marsha Norman and Lucy Simon's modern classic comes to the Playhouse San Antonio in a strikingly revisualized production.
Read More »Theater Review (San Antonio): ‘Pippin’ by Stephen Schwartz and Roger O. Hirson
This 1972 musical comedy is still a blast for modern audiences, as exemplified by the production now playing at the Woodlawn.
Read More »Theater Review (NYC): ‘Cabaret’ by Kander and Ebb at the Secret Theatre
Who would have thought Kander and Ebb's classic musical of 1930s Berlin would take on political relevance in the United States in the 21st century? An intimate new production makes the point with snazzy staging and a fine cast.
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