Tag Archives: off-off-Broadway

Schwend is marvelous at depicting the quotidian details that harass struggling families in The Amoralists' new production, and Vanessa Vache gives one of the year's standout performances.

A 19-year-old Emily Dickinson, teamed with Edgar Allan Poe, is the last line of defense between the everyday and a world of magic, ghosts, and vampires.

Imagine one of Tennessee Williams's larger-than-life mother figures dropped into a Lanford Wilson play, and you'll have a hint at what to expect.

New Georges' experiment in "exploded view" theater is more of an implosion.

Concrete Temple Theatre's new one-act is a well-played Southern gothic in the vein of Tennessee Williams with a magic-realism edge.

Despite some narrative weakness, this new musical from the writers of 'Bedbugs!!!' is well worth seeing for its great music, wacky (true) stories, and fabulous cast.

The concept of an old-time live radio broadcast turning into a kind of reality show might ring bells for today's audience if it were handled cleverly, but 'Radio Mystery 1949' drops the ball.

In a rather dystopian future and on the verge of menopause, a woman is at a fertility clinic hoping to have her very last egg artificially inseminated. But things aren't going her way.

In its first NYC revival since its 1986 debut, the play mingles passages of naturalistic dialogue with fanciful poetic flowerings to expose depths of passion and self-doubt. And for long swaths of the 90-minute one-act, the Attic Theater Company cast carries this difficult material off with a crazed, sparkling bravado.

Lit only by the actors' headlamps, this dark poetic drama about trapped coal miners grew on me – like a clammy mold.