Tag Archives: off-off-Broadway

'Troll' plunges headlong into the hyper-modern. Are our online selves our true selves at all? If not, what are they? What do their actions say about us? The questions are vividly relevant.

Magnificently acted, beautifully written, and claustrophobically staged in the round with a pile of dirt in the center, the cast running and slinking in circles behind the audience, 'Wolf in the River' is a jolt of dark energy.

Diana Brown digs into her own experience in a cult in her entertaining and thoughtful, if unpolished and not entirely satisfying, autobiographical solo show.

There's violence in Isabel's past, and now things seem to be spiraling out of control again. Ultimately, an edgy situation turns into a nightmare in Mark Cornell's chilling 'Sprucehaven B.'

Stellar acting and Patricia Lynn's crisp direction rocket this revival of one of the prolific playwright's classic works into the top tier of Off-Off-Broadway accomplishment.

Schwend is marvelous at depicting the quotidian details that harass struggling families in The Amoralists' new production, and Vanessa Vache gives one of the year's standout performances.

A 19-year-old Emily Dickinson, teamed with Edgar Allan Poe, is the last line of defense between the everyday and a world of magic, ghosts, and vampires.

Imagine one of Tennessee Williams's larger-than-life mother figures dropped into a Lanford Wilson play, and you'll have a hint at what to expect.

New Georges' experiment in "exploded view" theater is more of an implosion.

Concrete Temple Theatre's new one-act is a well-played Southern gothic in the vein of Tennessee Williams with a magic-realism edge.