This cerebral play with a bite boasts a fine ensemble cast and an undercurrent of foreboding that leaves you speechless at the end.
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Theater Review (NYC Fringe): ‘Human Fruit Bowl’ by Andrea Kuchlewska
This award-winning play brings out something that's usually lost to history: the story of an artist's model.
Read More »Theater Review (NYC Fringe): ‘Lula Del Ray’
This dreamy, compelling period-piece "movie" is presented live via overhead projector, cardboard puppets, live actors and music.
Read More »Theater Review (NYC): ‘Ghetto Babylon’ by Michael Mejias
In 1982 Charlie Rosa feels most at home on the pitcher's mound in the South Bronx - until he receives a letter from an elite preparatory school.
Read More »Theater Review (NYC Fringe): ‘A Future Imperfect’ by William S.E. Coleman
Fun with dystopian futures.
Read More »Theater Review (NYC): ‘The Glory of Living’ by Rebecca Gilman
Coming from poverty, married couple Lisa and Clint can't imagine their way to success. The solution? A crime spree, naturally.
Read More »Theater Review (NYC Fringe): ‘The Spider’
Conjoined twins wrestle with the pain of separation in this remarkable play from Bulgaria.
Read More »Theater Review (LA): ‘The Last Days of Judas Iscariot’ by Stephen Adly Guirgis
This literate meditation on salvation receives a fine revival at the Hudson Theater in Hollywood.
Read More »Theatre Review (Singapore): ‘The Phantom of the Opera’ by Andrew Lloyd Webber
Even in today's world of Facebook and Instagram, the Phantom can still get inside your head.
Read More »Theater Review (NYC): Harlem Summer Shakespeare’s ‘The Taming of the Shrew’
Shakespeare's most culturally outdated play gets a boisterous Caribbean-ized production at the Riverbank State Park amphitheater by the Hudson River.
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