Coruscating Latin rhythms with a four-mallet attack, folk-jazz from a guitar-ukelele-vocal duo, and baroque-jazz crossover from the late bassoonist Daniel Smith
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Theater/Cabaret Review (NYC): D’yan Forest in ‘A Broad Abroad’
In Forest's sure hands, comedy, storytelling, and song flow together into a wave of warmhearted, dirty-minded, unexpurgated humanity.
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