Spiky and overflowing, 'Dimension Zero' whips its traditions and influences into a cheeky gumbo, its earnest anti-capitalist message wrapped in cosmic-psychedelic paraphernalia and unstoppable hijinks.

Violinist Chloé Kiffer's rich-toned, elegant, note-perfect playing took Mozart's Violin Concerto No. 5 to a high level rivaling the weightiness of his final two symphonies at MOO's latest NYC concert.

This hard-to-categorize show employs an innovative technology called the "BodyMouth" in a dance-theater-opera performance that references mythological female forest creatures from Balkan folklore, commenting on the othering and suppression of women and the female voice.

Can art make you a better person? Ian Niederhoffer and his chamber orchestra Parlando posed the question thoughtfully at the ensemble's season-opening concert.

"We couldn't do this show in some places. Even opera, with some people not wanting to perform 'The Marriage of Figaro!'…But we're thankful that we're here in New York and for the moment we're able to do this in its full glory."

A newly unemployed husband and father finds himself discarded by his family as a no-longer-needed "commodity." Now he's a perfect candidate for a government-sponsored virtual-reality coma. But is the Bliss Option as blissful as advertised?

Naomi Wallace's magical-realist fable about a strike at a slaughterhouse and meatpacking plant receives a long-overdue New York premiere.

Pianist Nathaniel LaNasa curated a thought-provoking and entertaining set of art songs on the theme of things that are out of reach.

This truly original event at the Green-Wood Cemetery catacombs took in the definitions of concert, dance, and theater.

Every fall the BMF brings together China's top rising talent with world-class musicians from across the globe.