Editor Pick: Music

Past, present, and future mythologies inspired composers Steven L. Ricks, Caroline Louise Miller, and Elainie Lillios to create experimental new music for the trumpet, piano, and percussion trio SPLICE Ensemble

The group doesn’t try to reinvent this material, bu freshens up each number and offers consistently satisfying musicianship and vocal work. It’s a safe bet that most fans of the "cosmic country" genre will love these covers.

Music reviews: a reissued concert set from George Harrison's ukulele-playing pal, Joe Brown. Plus, new albums from John R. Miller and Collective Soul.

Strawberry Alarm Clock's penchant for psychedelia remains obvious throughout their excellent new album, but its sound, which incorporates elements of dream pop and power pop, has become much more complex and sophisticated.

Even in this outdoor setting, the group's Baroque-style instruments actually sounded pretty natural, without distracting artifacts of electronic magnification, in this exhilarating performance of concertos.

Lance Cowan's latest cements his reputation as a writer of memorable, understated songs that exude warmth and humanity.

The "Fisherman's Blues" sessions produced nearly 400 reels of multitrack tape, many of which were simply marked “untitled,” “instrumental,” “unknown,” or “jam” before being stored away...

Aaron Lee Tasman's 'Get Over it Underdog' is a Daliesque mirror view of today’s world. An album for our times.

Everything here sounds worthy of the Stones, probably in no small part because it sounds as if they’re still having fun making music. If this is their coda, it's a good one.

The players showed consummate skill in Beethoven's final string quartet and virtuosic enthusiasm in new music from Jeff Scott.