Robert Leverett twists Dr. Seuss' 'The Cat in the Hat' and the old Dick and Jane reading primers into a thoughtful and entertaining play.

The contemporary resurgence of the countertenor was on full display in a glorious concert staging of Handel's greatest opera.

Mark O'Connor's compositions made the juxtaposition of styles and centuries work smoothly, and created a joyful concert experience.

In all these works, played magnificently by Jing Yang, Vigeland makes conscious and effective use of the piano's acoustical properties to create sound worlds that couldn't exist in the same way if played by orchestral instruments.

When is an improvisation more than an improvisation? When a spontaneous collaboration gels into something that's more the sum of its parts.

A classical-music supergroup? That's the Principal Brothers: four Black principal (first-chair) woodwind players, who joined forces for a chamber concert with music from Bach to new works written for them.

Victoria Bond's Cutting Edge Concerts series presented the Danish ensemble with music of Elena Firsova, Andrew Waggoner, Danish composer Poul Ruders, and Bond herself.

If we don't really have an atlas in the end, we have an idea for one – a set of maps drawn in the shifting sands of sound.

The pianist spoke with us about his upcoming concert at Carnegie, his Chopin project, and commissioning new music from Colorado to Eastern Europe.

Failures of script, storyline, direction and acting make 'Café Resistance' a misbegotten attempt at a play-with-music on a serious subject.