The often meditative music included the world premiere of a substantial new work for two pianos, two percussionists, and viola.
Read More »Tag Archives: piano
Music Reviews: ‘Twelve Blocks’ by Michael Stephen Brown; ‘Poulenc’ from Pascal Rogé, Elena Font, Lidy Blijdorp
'Twelve Blocks' further establishes Michael Stephen Brown as a composer with skills on par with his pianistic virtuosity.
Read More »Music Review: Mikhail Pletnev – ‘Chopin & Scriabin: Préludes’
Pletnev seems to model his tempos and rhythmic freedom after human speech, or, where a tempo is fast, the pace of thought.
Read More »Concert Review: Pianist Chengcheng Ma – Chopin, Liszt, Zhang, and Challenging Music from Two Contemporary American Composers
Ma's impressive recital was an almost nonstop whirlwind of effervescent power.
Read More »Exclusive Interview: Pianist Chengcheng Ma on His Jan. 8 NYC Concert
"The score is not an endpoint but a starting point. Music truly comes alive in the moment – in breath, time, and immediate reaction."
Read More »Music Review: Adam Roberts – ‘Book of Flowers’ with Conrad Tao, Piano
A set of 16 piano pieces by Adam Roberts is replete with pianistic virtues, thanks to a symbiotic connection between the score and pianist Conrad Tao.
Read More »Music Review: Daniel Strong Godfrey – ‘Toward Light: Three Quintets’
The music on 'Toward Light' speaks to listeners who appreciate something bracing and new from a format – string quintet – that dates back centuries.
Read More »Concert Review: Pianist Beatrice Rana at Carnegie Hall
The Italian artist wields her pianistic prowess in service of the wide-ranging expressivity that signals a true and complete virtuoso.
Read More »Music Review: Pianist Jeneba Kanneh-Mason – ‘Jane Austen’s Piano’
Kanneh-Mason's deft touch clarifies every ornament on this EP that also features music by Handel and two English composers Jane Austen was familiar with.
Read More »Music Review: David Salvage – ‘Dreams of Love and Travel’ – Music for Solo Piano
When music is so baldly programmatic we should listen in two ways: with the context in mind, and purely musically.
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