Theater

Uproarious and deeply touching, 'Tevye Served Raw' gives us a broad sampling of Sholem Aleichem's whole opus, its humor and its pathos resonating beyond cultural and religious boundaries.

As the Irish Repertory Theatre's revival of 'On a Clear Day You Can See Forever' explores past-life regression, it beautifully, seamlessly renders the illusive with authenticity.

Well acted and with wit, humour, and insight, Chien's play about a painting purportedly by Hitler provided an interesting exploration of one of humankind's darkest periods.

In this outdated 1964 play, Goh explored life in a farm on the outskirts of Singapore, where two families with differences in class, wealth, backgrounds, lifestyles, and opinions collide.

Miles Malleson's witty, skillful comedy/romance, which premiered in London in 1925, travels with shimmering brilliance.

A portrait of French cabaret star Suzy Solidor as a mesmerizing and extraordinary woman of her time beautifully emerges.

This production was very funny, with energetic dance numbers and stunning vocals. The plot is timeless and engaging, and the good-looking set, colourful costumes, and tight choreography all played a part in making it an entertaining show.

Poorly staged, this iteration of The Secret Theatre Project was also misleading, as it wasn't theatre at all.

Emma Kingston took on the lead role and displayed a clear and forceful singing voice. In some ways, though, the story as a whole is one that feels dated and un-engaging.

My younger daughter once exclaimed, "Yay! At last you are not a mother or a teacher!"