The 2024 Azrieli Music Prizes will be celebrated at a gala concert in October, including Mexican composer Juan Trigos, the inaugural winner of the newest Azrieli prize, the Commission for International Music.
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Concert Review: Violinist Virgil Boutellis-Taft with Pianist JuYoung Park at Carnegie Hall (June 12, 2024)
A bravura concert showed that the music on Virgil Boutellis-Taft's album 'Incantation' retains its power when stripped down to violin and piano.
Read More »Music Review: Yuja Wang – ‘The Vienna Recital’
Stellar technique and vast interpretive creativity make this wide-ranging release stand out among this year's many fine piano albums.
Read More »All-Star Orchestra Announces Season Six on Public Television
The All-Star Orchestra, an ensemble of top musicians from across America led by Gerard Schwarz, will offer classic symphonies and contemporary works in its sixth season.
Read More »Concert Review: Pianist Inna Faliks – ‘Manuscripts Don’t Burn’ at National Sawdust
The Ukrainian-American pianist read from her memoir 'Weight in the Fingertips' and played classics and music written for her in honor of the book's publication.
Read More »Music Review: Lucas Debargue – ‘Fauré: Complete Music for Solo Piano’
This four-CD set isa journey through a brilliant and ever-elastic musical mind, and a huge achievement for the pianist.
Read More »Concert Review: The Knights – Gabriel Kahane’s ‘Heirloom’ (NY Premiere) with Jeffrey Kahane, Plus Anna Clyne, Jessie Montgomery, Mozart
There was a bit of an underground vibe in Zankel Hall, The contrast between Kahane's performance as a troubadour and his creative energy as a classical composer is striking.
Read More »Concert Review: Oratorio Society of New York – Handel’s ‘Samson’
OSNY performed feats of strength at Carnegie Hall with its first 'Samson' in decades, with soloists including Nola Richardson and Lawrence Jones.
Read More »Concert Review: Music by Mozart for Two Pianists, with Michael Stephen Brown and Adam Golka
Concerts like this tribute to classical music's fun side are just what's needed to perpetuate love and support for the tradition.
Read More »Forgotten Sounds: Graeme Steele Johnson on Resurrecting the 1897 Charles Martin Loeffler Octet
'Loeffler was ultimately too American for the European musical establishment and too European for the maverick sound of the New World—a predicament that effectively wrote him out of both musical histories.'
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