The juxtaposition of Astor Piazzolla's Nuevo Tango, featuring a master bandoneonist, with Erwin Schulhoff's volatile cultural milieu and the explosive expressionism of Unsuk Chin made for a crackling good concert experience.
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Concert Review: Karen LeFrak – Composer Spotlight at National Sawdust
A survey of music by Karen LeFrak ranged from piano solo works to a guitar concerto with Sharon Isbin and the Orchestra of St. Luke's.
Read More »Music Review: The Silkroad Ensemble with Rhiannon Giddens – ‘American Railroad’
American Railroad from The Silkroad Ensemble gives us a new perspective on history and is an incredible collection of songs and music.
Read More »Concert Review (NYC): Junction Trio – Shostakovich, Zorn, Brahms at 92NY
The Junction Trio's 92NY debut was a smartly conceived program of Shostakovich, Brahms, and a funny shocker of a world premiere by John Zorn.
Read More »Concert Review (NYC): Death of Classical, NOVUS Bring ‘America’ to Crypt at St. John the Divine
The musicians of NOVUS interposed works by contemporary American composers between movements of Dvořák's "American" String Quartet.
Read More »Interview: Composer Josef Bardanashvili, Winner of 2024 Azrieli Prize for Jewish Music
Bardanashvili's prize-winning 'Light to My Path' is described as evoking 'the different states of belief – supplication, ecstasy, doubt, gratitude – outlined in the Book of Psalms.'
Read More »Interview: Composer Jordan Nobles, Winner of 2024 Azrieli Commission for Canadian Music
"'Kanata' is an important piece in my career – it reflects my love for this country and my evolving understanding of its history and landscapes."
Read More »Concert Review: Parlando Chamber Orchestra – ‘Night Music’
Parlando explored the music of the night, from peaceful to panicky, through Mozart, Bartók, Fauré, and Takemitsu.
Read More »Interview: Composer Juan Trigos, Winner of 2024 Azrieli Commission for International Music
Trigos combines contemporary and Indigenous influences in works like his new 'Simetrías Prehispánicas' (Pre-Hispanic Symmetries), winner of the 2024 Azrieli Commission for International Music.
Read More »Interview: Composer Yair Klartag on His Azrieli Prize Commission ‘The Parable of the Palace’
Klartag's new work for choir and four double basses, the winner of the Azrieli Foundation's Commission for Jewish Music for 2024, investigates the limits of logic and reason in explaining reality and the metaphysical.
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