Guitarist Stew Cutler merges blues, soul, and jazz with the best of them. But he's never done a covers album before.
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Music Reviews: ‘The Complete Trip’ Collects Psychedelia from England’s Orange Bicycle, plus David Huckfelt
To say that psych-pop group Orange Bicycle never established a trademark style would be an understatement.
Read More »Music Review: Mikhail Pletnev – ‘Chopin & Scriabin: Préludes’
Pletnev seems to model his tempos and rhythmic freedom after human speech, or, where a tempo is fast, the pace of thought.
Read More »Music Reviews: Fabulous Thunderbirds, plus Lester Young and Anthologies of Rockabilly and Appalachian Music
Not everything on these Fabulous Thunderbirds albums is fabulous, but Vaughan and Kim Wilson can be formidable singers and players, and, particularly on the early LPs, they and their bandmates delivered more than a few high-octane winners.
Read More »Charlie Doherty’s Top 20 Albums of 2025 (Brandi Carlile, Wet Leg, The Freight, Bruce Springsteen & More)
Long live rock and roll.
Read More »Opera Review: ‘Hildegard’ by Sarah Kirkland Snider
A new opera based on the life of the 12th-century Benedictine nun and visionary is one of the most enthralling theatrical experiences I can remember.
Read More »Concert Review: Pianist Chengcheng Ma – Chopin, Liszt, Zhang, and Challenging Music from Two Contemporary American Composers
Ma's impressive recital was an almost nonstop whirlwind of effervescent power.
Read More »Music Reviews: An Anthology of Beatles Covers, Ward Hayden Interprets Springsteen, and a Record about Records
Among the many winners on this roller-coaster ride are soulful renditions of “Let It Be” by Aretha Franklin and “Hey, Jude” by Wilson Pickett, the latter with guitar by Duane Allman, and George Benson’s jazzified “You Never Give Me Your Money.”
Read More »Exclusive Interview: Pianist Chengcheng Ma on His Jan. 8 NYC Concert
"The score is not an endpoint but a starting point. Music truly comes alive in the moment – in breath, time, and immediate reaction."
Read More »Music Review: Suzanne Jerosme – ‘Il Generoso Cor,’ with Music of Camilla de Rossi and Maria Margherita Grimani
This fine new release includes world-premiere recordings of oratorio music from early-18th-century female Viennese composers, plus music of their contemporary Alessandro Scarlatti for context
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