Editor Picks

MOUSE: P.I for Hire It usually starts with a dame, but this time it started with a missing magician, who was missing his dame, and then a dame showed up… Hold on, let me start again. This case smelled like overripe cheese from the very beginning. When I heard my …

If you've never heard of Dan Penn, one reason is probably that you’re not the sort of person who reads songwriting credits.

Smith's warm and nimble rendition set the tone: yearning in the slow sections, fiery in the faster ones, and always restrained enough to let Beethoven's notes speak for themselves.

Sony highlights its upcoming movies, from anime and videogame adaptations to a new 'Insidious' film and the first collab between the Fanning sisters.

The musicians achieved a lyrical ease, built to a satisfying romantic climax, and ratcheted up the tension...

In 'Every Brilliant Thing' Daniel Radcliffe is gobsmacking as the Narrator who picks audience members to help him tell his story.

'Hot or Not' by Jessica Campbell is a tongue in cheek comentary on the physical attributes of male artists of the 20th century.

Paul Shearman's solo show about Shakespeare, the acting craft, and early-stage dementia is bathed in pathos of the best kind.

'Becoming Kerouac' by Paul Maher Jr. offers a vivid depiction of the “tortured artist” archetype, both its creative power and its personal cost.

At his recital debut at Carnegie Hall's Weill Recital Hall, Crosett showed ability and fire to spare, with plenty of charisma and good humor to boot.