Ueno's percussion music reminds us that as long as there's a musician and a listener, there is real physical interplay between the the sound and the auditor's biology.
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Music Review: Ensemble Dal Niente Performs Music by George Lewis, Carola Bauckholt, Igor Santos on ‘portrait RE/Flux/Pacific Time’
This bold new collection showcases music from a relative newcomer side-by-side with recent compositions by long-established contemporary composers.
Read More »Music Review: Michael Hersch – ‘Medea,’ a One-Act Opera, Libretto by Stephanie Fleischmann
Even for an experimental-music aficionado, these works can be challenging to absorb. But it's worth exposing oneself to art that tears away boundaries and expectations
Read More »Music Review: Sarah Kirkland Snider – ‘Forward into Light’
The new album featuring the Metropolis Ensemble led by Andrew Cyr reveals Snider as, among other things, a master orchestral colorist.
Read More »Concert Review: Composer Portraits Presents Andrew McIntosh, with Yarn/Wire
The often meditative music included the world premiere of a substantial new work for two pianos, two percussionists, and viola.
Read More »Concert Review: Pianist Chengcheng Ma – Chopin, Liszt, Zhang, and Challenging Music from Two Contemporary American Composers
Ma's impressive recital was an almost nonstop whirlwind of effervescent power.
Read More »Exclusive Interview: Pianist Chengcheng Ma on His Jan. 8 NYC Concert
"The score is not an endpoint but a starting point. Music truly comes alive in the moment – in breath, time, and immediate reaction."
Read More »Music Review: Andy Kozar – ‘Ein Horn’ (New Music for Trumpet)
Andy Kozar plays all the trumpet parts on a selection of contemporary music scored for as many as 36 trumpets.
Read More »Music Review: Lei Liang – ‘String Quartets: Live’
Inspired by the music of Mongolia and Taiwan, these pieces feature the Brentano, JACK, Formosa, and Mivos quartets.
Read More »Music Review: Scott Wollschleger – ‘Lost Anthems’
Each segment lasts only a few minutes at most, so you're always anticipating what the next "anthem" will sound like. Still, each makes its point.
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