The finale of Brahms' Symphony No. 4 teemed with extravagant passion and boasted a remarkably beautiful flute solo.
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Concert Review: American Classical Orchestra – ‘Healing Bach’
The vast and beautiful Church of St. Vincent Ferrer on Manhattan's East Side was an apt setting for Bach's cantatas.
Read More »Music Review: Sarah Kirkland Snider – ‘Forward into Light’
The new album featuring the Metropolis Ensemble led by Andrew Cyr reveals Snider as, among other things, a master orchestral colorist.
Read More »Valentine’s Violin: Exclusive Interview with Violinist Esther Yoo on Her Album ‘Love Symposium’
Each selection represents a different type of love. But the violinist had deeply personal criteria for what music she wanted to include.
Read More »Classical China: 10th Edition of Youth Music Culture the Greater Bay Area (YMCG) Opens Today with Concerts in Guangzhou, Shenzhen, Hong Kong, Macao
YMCG focuses on young artists, offering educational activities and cross-cultural dialogue as well as performances and masterclasses.
Read More »Music Reviews: ‘Twelve Blocks’ by Michael Stephen Brown; ‘Poulenc’ from Pascal Rogé, Elena Font, Lidy Blijdorp
'Twelve Blocks' further establishes Michael Stephen Brown as a composer with skills on par with his pianistic virtuosity.
Read More »Music Review: Mikhail Pletnev – ‘Chopin & Scriabin: Préludes’
Pletnev seems to model his tempos and rhythmic freedom after human speech, or, where a tempo is fast, the pace of thought.
Read More »Concert Review: Pianist Chengcheng Ma – Chopin, Liszt, Zhang, and Challenging Music from Two Contemporary American Composers
Ma's impressive recital was an almost nonstop whirlwind of effervescent power.
Read More »Exclusive Interview: Pianist Chengcheng Ma on His Jan. 8 NYC Concert
"The score is not an endpoint but a starting point. Music truly comes alive in the moment – in breath, time, and immediate reaction."
Read More »Music Review: Suzanne Jerosme – ‘Il Generoso Cor,’ with Music of Camilla de Rossi and Maria Margherita Grimani
This fine new release includes world-premiere recordings of oratorio music from early-18th-century female Viennese composers, plus music of their contemporary Alessandro Scarlatti for context
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