This truly original event at the Green-Wood Cemetery catacombs took in the definitions of concert, dance, and theater.
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An International Mosaic: 28th Beijing Music Festival Links Classical and Contemporary, China and the West, October 10–24, 2025
Every fall the BMF brings together China's top rising talent with world-class musicians from across the globe.
Read More »Music Review: ‘Cereus’ – Chamber Music by Kay Rhie
A new album that includes arias from the opera 'Quake' along with instrumental music reveals composer Kay Rhie's ability to adapt her style for abstraction and direct storytelling alike.
Read More »Music Review: Aaron Helgeson – ‘As I Write This’ – Songs and Solos of Aaron Helgeson
Composer Aaron Helgeson's starting points range from traditional Norwegian fiddle to Shakespeare to Debussy.
Read More »Music Review: Mark Micchelli – ‘Glitched-On Bop’ Turns Jazz Classics Upside-Down
Pianist and composer Mark Micchelli twists and blows up five jazz classics with piano, toy piano, percussion, and electronics.
Read More »Music Review: Isaac Shieh – ‘Caprice Reimagined: New Works for Natural Horn’
Natural horn specialist Isaac Shieh has paired music by 19th-century composer Jacques-François Gallay with new commissions by contemporary composers, revealing Shieh's gifts as a musician and the potential for continued life for this ancient, "outdated" member of the brass family.
Read More »Music Review: Ryan Vigil – ‘Vigil Vol. 1’
The meaning of simple contrasts is magnified in composer Ryan Vigil's meditative, thought-provoking works for violin and piano.
Read More »Music Review: Alejandro Flórez – ‘Beaches of Riches’
Guitarist-composer Flórez is uniquely skilled at interlocking written music with group improvisation in song-length tracks that leave us bopping our heads and scratching them at the same time.
Read More »Music Review: Festival Orchestra of Lincoln Center with Yeol Eum Son – Music of Robert and Clara Schumann, James Lee III
The summer series concluded with Robert Schumann's Fourth Symphony, Clara Schumann's 'Konzertsatz in F minor,' and a world premiere by James Lee III.
Read More »Music Review: Per Bloland – ‘Shadows of the Electric Moon’
One of this music's most interesting characteristics is a seamless fusion of acoustic and electronic sound.
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