With 1,024 parts, the individual lines blend into what we hear as one prolonged chord. Listening to it out of context you'd likely think it was a piece of avant-garde conceptual art.
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Concert Review: Focused on Ukraine, Dalia Stasevska Conducts the New York Philharmonic, Joshua Bell
A war-themed program at Lincoln Center featured volatile works by two Ukrainian composers, plus Benjamin Britten and Aaron Copland.
Read More »Music Review: David Salvage – ‘Dreams of Love and Travel’ – Music for Solo Piano
When music is so baldly programmatic we should listen in two ways: with the context in mind, and purely musically.
Read More »Concert Review: New York Festival of Song—’The Color of Where You Can Never Go,’ Curated by Nathaniel LaNasa
Pianist Nathaniel LaNasa curated a thought-provoking and entertaining set of art songs on the theme of things that are out of reach.
Read More »Concert/Dance Review: Paola Prestini’s ‘House of Zodiac’
This truly original event at the Green-Wood Cemetery catacombs took in the definitions of concert, dance, and theater.
Read More »An International Mosaic: 28th Beijing Music Festival Links Classical and Contemporary, China and the West, October 10–24, 2025
Every fall the BMF brings together China's top rising talent with world-class musicians from across the globe.
Read More »Music Review: ‘Cereus’ – Chamber Music by Kay Rhie
A new album that includes arias from the opera 'Quake' along with instrumental music reveals composer Kay Rhie's ability to adapt her style for abstraction and direct storytelling alike.
Read More »Music Review: Aaron Helgeson – ‘As I Write This’ – Songs and Solos of Aaron Helgeson
Composer Aaron Helgeson's starting points range from traditional Norwegian fiddle to Shakespeare to Debussy.
Read More »Music Review: Mark Micchelli – ‘Glitched-On Bop’ Turns Jazz Classics Upside-Down
Pianist and composer Mark Micchelli twists and blows up five jazz classics with piano, toy piano, percussion, and electronics.
Read More »Music Review: Isaac Shieh – ‘Caprice Reimagined: New Works for Natural Horn’
Natural horn specialist Isaac Shieh has paired music by 19th-century composer Jacques-François Gallay with new commissions by contemporary composers, revealing Shieh's gifts as a musician and the potential for continued life for this ancient, "outdated" member of the brass family.
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