The Italian artist wields her pianistic prowess in service of the wide-ranging expressivity that signals a true and complete virtuoso.
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Azrieli Foundation Announces 2026 Azrieli Music Prizes Laureates
The winners of Canada's top music composition competition hail from Israel, the U.S., Canada, and Europe.
Read More »Concert Review: Focused on Ukraine, Dalia Stasevska Conducts the New York Philharmonic, Joshua Bell
A war-themed program at Lincoln Center featured volatile works by two Ukrainian composers, plus Benjamin Britten and Aaron Copland.
Read More »An International Mosaic: 28th Beijing Music Festival Links Classical and Contemporary, China and the West, October 10–24, 2025
Every fall the BMF brings together China's top rising talent with world-class musicians from across the globe.
Read More »Concert Review: Jonathon Heyward Conducts Festival Orchestra of Lincoln Center in Brahms’ Symphony No. 1, Anna Clyne’s Saxophone Concerto ‘Glasslands’
A glowing new concerto for soprano saxophone by Anna Clyne made in its New York premiere together with music by Brahms and Emilie Mayer.
Read More »Concert Review: Boulder Chamber Orchestra at Carnegie Hall with Pianist Adam Żukiewicz
A "virtuosic display of youthful joy" is how the pianist described the finale, but he also displayed a mature mastery of dynamics and flow, abetted by an orchestra that bloomed to match him.
Read More »Concert Review: ‘Taking Flight’ with Orpheus Chamber Orchestra and Anne Akiko Meyers
As the solo violin laments the destruction of homes and neighborhoods, the orchestra contextualizes that lone voice into a chorus of community. Terrible circumstances can indeed inspire work of aesthetic beauty.
Read More »Exclusive Interview: Violinist Anne Akiko Meyers
The virtuoso talks about her recent and upcoming albums and her premiere of Eric Whitacre's 'The Pacific Has No Memory' honoring victims of the California wildfires.
Read More »Music Review: ‘Perfect Happiness: Piano Music of Nils Vigeland’ with Pianist Jing Yang
In all these works, played magnificently by Jing Yang, Vigeland makes conscious and effective use of the piano's acoustical properties to create sound worlds that couldn't exist in the same way if played by orchestral instruments.
Read More »Exclusive Interview: Pianist Adam Żukiewicz on Saint-Saëns, Chopin, and the Boulder Chamber Orchestra at Carnegie Hall
The pianist spoke with us about his upcoming concert at Carnegie, his Chopin project, and commissioning new music from Colorado to Eastern Europe.
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