Michael Gardner directs his new adaptation of Jean Cocteau's novella, creating a lurid phantasmagoria of mental warping animated by rabid performances.

Derived entirely from transcripts of the Anita Hill and Christine Blasey Ford hearings, the play zigzags fluidly between the two, emphasizing how little has fundamentally changed since 1991.

This gripping experience is likely to leave you thankful for whatever healthy family relationships you might have.

There's a sense of splintering throughout the suite, of dissociation and the associated discomfort – all conveyed through a sonic palette suffused with beauty.

Past, present, and future mythologies inspired composers Steven L. Ricks, Caroline Louise Miller, and Elainie Lillios to create experimental new music for the trumpet, piano, and percussion trio SPLICE Ensemble

A screw-up gets a trio of killers-for-hire in trouble and the only solution is another murder. But just how did it happen? 'Alice Won't Die' asks us to decide whose perspective to trust.

Having lost his grip on his life's thread, Chekhov's antihero Nikolai Ivanov's plight was all too "real" from the start.

Marc Mellits continues to mold his unique short-attention-span minimalism that combines seriousness of purpose with a spirit of play.

On Diego Tedesco's first portrait album, the composer uncovers fresh seams of gold in well-explored mines of atonality and abstraction.

The play reveals how the Inwood Benevolent Home's soothing name masked harsh conditions for "fallen" women under the Magdalene Society.