Can art make you a better person? Ian Niederhoffer and his chamber orchestra Parlando posed the question thoughtfully at the ensemble's season-opening concert.
Read More »Classical
An International Mosaic: 28th Beijing Music Festival Links Classical and Contemporary, China and the West, October 10–24, 2025
Every fall the BMF brings together China's top rising talent with world-class musicians from across the globe.
Read More »Concert Review: A ‘Rococo Repast’ from Musicians of the American Classical Orchestra
Musicians of the ACO enveloped us in the pure joy of sweet-sounding, often deeply inspired chamber music of the Rococo period by J.C. Bach, Michael Haydn, and Mozart.
Read More »Music Review: Isaac Shieh – ‘Caprice Reimagined: New Works for Natural Horn’
Natural horn specialist Isaac Shieh has paired music by 19th-century composer Jacques-François Gallay with new commissions by contemporary composers, revealing Shieh's gifts as a musician and the potential for continued life for this ancient, "outdated" member of the brass family.
Read More »Music Review: Festival Orchestra of Lincoln Center with Yeol Eum Son – Music of Robert and Clara Schumann, James Lee III
The summer series concluded with Robert Schumann's Fourth Symphony, Clara Schumann's 'Konzertsatz in F minor,' and a world premiere by James Lee III.
Read More »Music Reviews: Isabelle Faust: ‘Johann Sebastian Bach: Sonatas for Violin and Continuo’; Hongyi Mo, John Etsell: ‘Métamorphoses: Poulenc on Violin and Piano’
Exemplary, living Bach from musicians with few equals at the repertoire; sensitive violin performances of Poulenc transcriptions and sonatas
Read More »Concert Review: Jonathon Heyward Conducts Festival Orchestra of Lincoln Center in Brahms’ Symphony No. 1, Anna Clyne’s Saxophone Concerto ‘Glasslands’
A glowing new concerto for soprano saxophone by Anna Clyne made in its New York premiere together with music by Brahms and Emilie Mayer.
Read More »Music Review: Amos Elkana – ‘Que sais-je?’
Yugoslav-Israeli intellectual and Holocaust survivor Yehuda Elkana may be best known for his insistence that a people must leave the traumas of the past behind in order to thrive. With 'Que sais-je?' Amos Elkana, Yehuda's son, has created a profound portrait in music of his father.
Read More »Music Reviews: Miguel Rincón and Il Pomo D’Oro: ‘Concertos for Baroque Lute’; Makaris: Allan Ramsay’s ‘The Gentle Shepherd’
18th-century music that kept the lute alive, and a world premiere recording of an early 18th-century Scottish opera
Read More »Music Reviews: Gene and Eunice, J.M. Kearns, Tim O’Brien & Jan Fabricius, Michael Arbenz & Andy Sheppard, and Comet Gain
Gene Wilson (aka Gene Forrest) and Eunice Levy, a married couple, scored several hits in the 1950s but dented the pop charts only once, with “Poco Loco.” But the songs collected here are almost uniformly excellent.
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